

Not to mention that it’s pretty hard to find someone who knows how to play.

Our favourite sample from the pack: OSTR Full DrumĪ lot of lo-fi beats benefit from added live instrumentation such as a saxophone, vibraphone, or guitar solo.īut actually writing and recording live instruments isn’t all that easy.

It has hi-hat loops, snare loops, and kick loops so you can use the pack to piece together the perfect loop from top to bottomĪlternatively, you can sift through this pack and pick out a pre-made full kit loop that matches your sound. It has 119 drum loops ready to go, all built with awesome sounding lo-fi inspired drums. Torii by Osaka Sounds was created exactly for this purpose. If you struggle with piecing together a lo-fi drumbeat that you really love, it might be helpful to find a pre-made drum loop. Our favourite sample from the pack: ESM Loop 90 5. It’s the perfect place to start with crossing genres in your lo-fi beats.

You’ll find trap-influenced drums and 808s to go great with the pack’s sunny and up-tempo melodic loops. Sometimes you might be looking to add a little bit of fire to your lo-fi track.įor a beat that wants to be the life of the party, a great place to look for samples is in Epic Stock Media’s Melodic Lofi Hip Hop sample pack. Lo-fi isn’t just about moody downtempo beats. Our favourite sample from the pack: Whoosh 4. The collection focuses heavily on the percussive elements you need to create a lo-fi beat. If you want to add some really good sounding percussive hits to your next lo-fi groove, don’t skip Goosetaf’s new lo-fi collection. You’ll hear plinking bottles, clicky wooden blocks, a variety of punchy snares, kicks, and minimal hi-hats.Ĭreating these sounds to hit hard enough to make heads bob, but not too harsh to kill a chill song’s vibe isn’t always easy. Lo-fi beatmakers often use odd percussive elements to make their lo-fi beats. Goosetaf Presents: Lo-FiĪ lot of lo-fi beatmakers use odd percussive elements to make their lo-fi beats. Our favorite sample from the pack: Piano 80 3.
